As one of those rare musicians who seem already to emit on their own a consonant cacophony, Jean handles any instrument or constraint like an extension of himself. Punctun acts as a film score for film yet to be made. At times channelling ASMR (the bubbles on "the more the perrier" are perrier), at times conjuring the shipping yard behind Gavin Elster in Vertigo, these soundscapes are open to interpretation and application. "Crate" and "grape" feature us exploring the beautiful fallibility of imposing constraints, like playing a piano and djembe without making their respective sounds. If you would like to use this album as a score to your film, please email with Jean-Sebastian Audet August 2017